Geography As Mentor
When people travel, different aspects of their experience resonate with them more deeply than others. For some, it is restaurants and cuisine. For others, it may be local languages, history, theater or archaeology.
For me, it has always been geography.
Landscapes can haunt us, often in profound ways.
No wonder I appreciated non-fiction books by Barry Lopez (Crossing Open Ground) and the fictional work titled The Solace of Open Spaces by Gretel Ehrlich when in college. Even The Martian Chronicles by Ray Bradbury. These book thrust me into different geographies and landscapes and tethered them with emotion.
Then, there came a high altar of writing that invokes landscape—books by Edward Abbey.
I had finished college in Boulder, Colorado, and had a lover named Katie. She had been my boss when I did a door-to-door job (for $4.15 an hour selling subscriptions to The Colorado Public Interest Research Group) in towns surrounding Boulder. She had an apartment located sort of west of, and a block south of, Old Chicago’s Restaurant on Pearl Street in Boulder. While we were there once, she told me about the author Edward Abbey. She was shocked I had not yet heard of him. He wrote the non-fictional book Desert Solitaire, and the fictional book The Monkey Wrench Gang. I loved both books for their raw honesty about the (then) unappreciated beauty of the southwest canyonlands geography of the United States. The author could skillfully translate the attraction of landscape into words.
Soon, because of an interest in rock climbing and participation as a member of the volunteer Rocky Mountain Rescue Group in Boulder, I applied for—and was accepted—to an Advanced Mountaineering course in the Wind River Mountains of Wyoming held by the National Outdoor Leadership School (NOLS). More climbing followed, as well as more reading about landscapes and attitudes. Sand County Almanac by Ado Leopold; Touching The Void by Joe Simpson.
Most other instructors at NOLS were truly inspiring—rabidly intelligent, well read, athletic and craving a life far away from clocks and timesheets and pension plans. They told me of other books to read—Blue Highways by William Least Heat Moon, Basin and Range by John McPhee. Even A Moveable Feast by Hemingway.
Just before I attended college in Boulder, and long before I Met Katie or heard of NOLS, I read an article in Outside Magazine titled Moments of Doubt, by David Roberts. It stunned me. It is the true story about a rock climber whose climbing partner died when they climbed the Flatiron peaks behind Boulder. Years later, when I was a volunteer member of Rocky Mountain Rescue Group, a young woman near the base of the Third Flatiron died while I was trying to resuscitate her. She had slipped and fallen while hiking a steep trail. That event, also, stunned me.
It turned out—I learned afterwards in a most bizarre way—that she had grown up in the same small town as my family (population 500) in Illinois, and was known by my siblings. A bizarre series of events pivoting around this incident ignited what was to become a life-long fascination with (and interest in learning about) the power of coincidences—synchronicity. (I self-published a few books on the topic, and begin one with the story of what happened that day in Boulder.)
The memory of that event is saturated with recollections of vast, gorgeous tracts of natural landscape in the hills behind Boulder. Since then the realization has grown clear of how important landscapes are to memories of times, situations and relationships in life.
Landscapes haunt us. The sight of peaks and bays and ferns and snow and rivulets and the sound of flapping guillemots or terns or wood pigeons resonates deep within our cranial cavities—even unconsciously as a memory—forever.
Geography still compels me. Work—as in toil and spreadsheets and organizational meetings and the joy of accomplishing long term infrastructure projects such as constructing a rural water system or road, or the bliss of an article being published nationally or internationally—is still exciting. But most of all when these revolve around an immersion in some diverse and intriguing geography. It is the same with food and history—the memory of a good wine or meal often brings a memory of natural surroundings.
Different memories are powerful for different people. I recall waking up in a tent on the sands of Kilcoole Beach in Ireland with the sound of Irish Sea breakers; the scent and touch of rock while ascending the 14th and final rock climbing pitch on Mount Sacagawea in the Wind River Mountains of Wyoming; the recollection of walking over chestnut covered hillsides in the Ticino, or the strange allure of visually barren deserts. Wild or stunning landscapes are not just beautiful: being immersed in them can harmonize with our own desire for having fewer constraints and bigger spaces for our own thinking.
The association of landscape with memory is also practical in at least two ways. First, it can remind us of why it is always good—for health and alertness—to get out and take a walk, preferably in a ‘cathedral’ of wild space or preferably close to natural settings. Second, it is a reminder that we should appreciate the creation of parks, wilderness areas and national monuments to protect gorgeous tracts of natural spaces on this planet from billboards and unchecked growth.
